comic relief

Lately I've been exploring

iPhoneography

thanks to my friends

Roxie, Sarah, and Viv

who have been tempting me

for months

with its

myriad of

creative possibilities.

So much to learn!

I have only just

scratched the surface.

Spontaneity

was not exactly at the top

of my list;

however, one day last week

as I was sitting down to

draw this little dried rose petal

- in a quiet, contemplative, Zen-like state of mind -

who should happen along

and plant herself

right in the middle

of things?

Lillian
couldn't resist
this set-up.
Immediately,

my plans were

up-ended.

Literally.

I am always fascinated

by the dexterity of her

comma-shaped paw

as she daintily
sweeps small objects

hither and yon.

And then she glanced back at me,

as if to say,

'Well, what did you expect?'

God bless

Lillian

for her

gift of

comic relief!

Good thing I had

my iPhone

handy.

***

Notes:

CAMERA

iPhone 5

APPS

ProCamera

initial capture

(rapid fire mode)

Snapseed

Details: Sharpening ~25-30%

Drama: Bright 2 - default filter strength

which nicely lightened

Lillian's 'darker side'

and oh-so-subtly

brought out just enough

detail in

the sketchbook.

Image Blender

Second layer: kk_tuesday texture

Blend Mode: Soft Light 20%

I wasn't really after any

'dramatic' texturizing,

but rather to see how

subtle texturizing could enhance

an image.

***

Linking up with

30 Day Scrap With Apps Challenge (Day 6)

Texture Tuesday

Friday Finds

unforgettable: fen meets kermit

Have you ever
been
inspired to
grab your camera
and just
'shoot from the heart'
?

I mean
what's the worst
that could happen?

The photos
might not
'turn out,'
technically-speaking

or you might
fall flat,
not capturing
that special
'something'
that made you
pick up your camera
in the first place.

You might even end up
deleting
each and every
shot
in frustration.

Or...

you just might

end up

capturing

something

truly

unforgettable.

***

I did just that

one afternoon last month

when Fen came over to

Grandma & Grandpa's house

to play.

Recently

I have been reading

The Unforgettable Photograph

by

George Lange

who says,

"Which moment will provide the unforgettable picture isn't much in your control...If you can't see the moments, you can feel their flow, like feeling the flow of music. That feeling is essential to taking good pictures; it's as important as having a good eye...I shoot using my heart more than my eyes."

I highly recommend

this book.

***

Someone's nose is out of joint

whenever

the

'noisy little bald kitten'

comes to visit.

Time

 for a nap

- safe and secure -

in Grandpa's arms

***

Notes:

CAMERA

Canon EOS 6D

Tamron SP 24-70 f/2.8 lens

Manual Mode

hand-held

ISO 3200

f/4.5-3.5 1/125 sec

LIGHTROOM

Minimal editing:

just a bit of the basics

and minor cropping.

How often does that happen?

***

Linking up with

Friday Finds

pink ribbon warrior: a still-life portrait

war·rior

noun, often attributive

\ˈwȯr-yər, ˈwȯr-ē-ər, ˈwär-ē- also ˈwär-yər\

a person engaged in some struggle or conflict 

 This week's Be Still 52 challenge:

create a

'still-life family portrait'

Today I pay tribute to

my late sister

Lissa

a

'pink ribbon warrior'

in the truest sense.

Back in 1995, when Lissa was diagnosed at age 40 with Stage 2 breast cancer

I embroidered this pink sun hat for her to wear.

Lissa endured surgery, chemotherapy and radiation.

She won her battle with breast cancer.

Two years later

she succumbed to Leukemia -

a result of her chemotherapy treatment.

She won the battle

but lost the war.

I still have her day planner

with her last entries from 1997

in her own handwriting.

***

I still pray for understanding 17 years later, asking God the unanswerable question: Why? Why, dear Lord, did you take this young, brilliant scientist in the prime of her life, who obviously had so much more to give? (Lissa earned a PhD in Anatomy, had herself done cancer research at the Dana Farber Cancer Institute before discovering her true calling as a teacher: of anatomy to medical and dental students, then biology to community college students.) Why did the very science that she loved fail her? For what purpose?

While not exactly getting an answer to this prayer, I have come to be at peace with it. You see, in 2006, I was diagnosed with Stage 0 LCIS. Because of my sister's medical history, I got a 'front row seat': extra-close scrutiny from that point forward, including treatment from Lissa's own oncologist, a simple biopsy, plus five years of hormone therapy, and continued vigilance with yearly mammograms. I've been free and clear for eight years. Easy.

Last month my annual routine mammogram revealed Stage 0 DCIS. You might say things are dialed up a notch this time. This time I was tested for the BRCA gene (negative, thank God), and my MRI was clean. It was recommended that I meet with a plastic surgeon 'so I could make an informed decision' (if you know what I mean...YIKES!). Well, we finally decided on a simple lumpectomy, which is scheduled for early next week. My doctor says I might not need radiation...just more hormone therapy and mammograms every six months for awhile...because we caught it early. Easy...again.

In no way do I consider myself a 'pink ribbon warrior.' My path has been easy because Lissa's was not. If not for her diagnosis in 1995, I myself might not have been as vigilant with yearly mammograms - which have since twice averted a much more serious diagnosis later on.

Lissa was both a pragmatic scientist and a devout Catholic. I firmly believe that she would see the good in this for her little sister - from both perspectives.

***

And we know that in all things God works for the good of those who love him,

who have been called according to his purpose.

Romans 8:28

"Notice that the verse doesn’t say God causes evil and suffering, just that he promises to cause good to emerge. And notice that the verse doesn’t say we all will see immediately or even in this life how God has caused good to emerge from a bad circumstance. Remember, we only see things dimly in this world. And notice that God doesn’t make this promise to everyone. He makes the solemn pledge that he will take the bad circumstances that befall us and cause good to emerge if we’re committed to following Him."
Lee Strobel - Why Does God Allow Tragedy and Suffering?

Notes:

CAMERA

Canon EOS 6D

Tamron SP 24-70 f/2.8 lens

Manual Mode

Aperture range: f/5.0 to 6.3

Early morning 

in my

basement studio

with Lillian.

I kept her laser-light cat toy handy

'cause she just seems to know

when I'm ready to

press the shutter button.

Both hand-held and flash

were out of the question

with the available lighting
and subtle shadow-play I wanted,

so I improvised

to get a vertical shot from ground level.

Resting the lens on fabric

probably interfered with its focusing function:

out of over 30 shots,

only one was 'tack sharp'

even though I used the

10 second shutter delay. 

After that first photo session

hauling out the tripod

suddenly seemed to be

not such a bother!

LIGHTROOM

I am still working my way through

Kim's 31 Days of Lightroom class,

especially Custom Layouts

and Snapshots

at my own pace.

I love auditioning and fine-tuning

presets...I finally settled on

kk_breathe

for all photos.

PHOTOSHOP

Just this texturizing:

***

Linking up with

Be Still 52 (Week 17)

Texture Tuesday

real-life still life: a quiet corner

I guess I'm just
looking for
a little
peace and calm.

Who'd a thought

I'd find it

in

my kitchen cupboard?

***

After several attempts

at capturing

a still life photograph

amongst my everyday

surroundings...

I
'discovered'
this scene.

Kinda feels
a bit
Vermeer-esque,
with its
interior shadowy
moody
everyday
unstaged
wabi-sabi
feel.

BTW
as much time as we spent
in art school
studying
the paintings
of
Johannes Vermeer
...
it was never enough
for me.

I hadn't really
thought of
Vermeer
in years
...
until I
captured
these bowls
in my
cupboard.

original photo SOOC
With a little bit of work
- or should I say
'play' -
I watched
something
almost magical
emerge
from humble
beginnings.

With
eye and heart,
camera and computer
...

I saw something.

***

Notes:
CAMERA

My camera
has an ISO capability of
up to
25,600,
but I still
crouch safely
near the bottom
of the scale,
ever cautious of
film grain.
ISO 3200 
is perilously high for me.

LIGHTROOM
I played in the Develop module
before trying out
several presets.
I finally settled on
Kim's
kk_darkday preset,
wanting to draw attention
to the amazing 
shadowplay.

I'm also following along in Kim's
31 Days of Lightroom class,
applying her lessons
to my workflow
process.

PHOTOSHOP
There was enough
dark to make one of
Kim's 'magic' textures work;
and a soft light touch
of texture gave it
a 'painterly' feel.

***

I promised Lillian I would

post these

'unposed' still life shots of her

with her new favorite pillow...

...my camera bag.

***

Linking up with

Be Still 52 (Weeks 14 & 15)

Texture Tuesday

unstaged

An 'unstaged' still life

for

Be Still 52

Week 12

 Not what I had

originally planned,

but

more in keeping

with the theme

I think.

So...

I came home Sunday

after an enjoyable photoshoot

at the antique mall,

where I figured

I'd find plenty of

subject matter

suitable for an

'unstaged' still life

(a term

which I thought to be

delightfully

contradictory!)

I did manage to

gather several

possibilities.

Then,

as I sat at the kitchen table

and chatted

with my daughter Erin

about this and that,

Lillian stepped in

and

changed my plans

altogether.

She patiently

obliged

as we

gleefully snapped

one photo after another

with our cellphone cameras. 

So much for my plans

to upload, choose

and edit

the antique mall shots.

***

Monday morning

I woke up

with a new

idea

and

a simple plan.

original photo SOOC

Notes:

CAMERA

A chance to play with

my new lens

and

flash,

striving for

optimum light,

fast shutter speed,

lower ISO,

without a tripod.

And 'tack sharp' detail

of course.

LIGHTROOM

lens correction

straighten and crop

basic edits:

Then I auditioned several of Kim's presets

before settling on

kk_walnut preset

+

my own split tone adjustment

PHOTOSHOP

I auditioned a few different textures

and several blend modes

before deciding on

Kim's new

kk_quiet

 ***

Linking up with

Be Still 52

Texture Tuesday

zen seeing part 2

I so enjoyed the
seeing/drawing/photographing process

a couple weeks ago,

I thought I'd

revisit it.

It was pure delight

creating these images

...

from conception

(seeing these amazing dandelions

at the side of the road)

thru composing,

studying,

drawing,

photographing,

to post-processing.

Photography, like drawing, can be a

Right Brain activity;

but it starts with
seeing
- really seeing -  

Check out Kim Manley Ort's post on
photography, drawing, and seeing.
Thank you Kim for
your amazing
blog!

"drawing...the intensifier of firsthand seeing,

as a catalyst of awareness

that makes us independent of our serfdom

to technology."

Frederick Frank

Zen Seeing, Zen Drawing

These few
still quiet hours
with my camera
my pencil and paper
and my computer
- or paintbrush or pliers or needle & thread -
...

this is my idea of

a perfect
Be Still Day
(even if it is only a few hours).

Lillian seems to enjoy it too.

She reminds me to be curious...

...and try new things.

Notes:

LIGHTROOM

Recipe:

Scott Kelby's

B&W conversion

from his Lightroom 4 book

then

boost Clarity and Vibrance

plus my own

Subtle Sepia Split Tone

PHOTOSHOP

textured with two layers of

kk_pinitonly4

Soft Light 28%

Vivid Light 15%

***

"I created beauty to declare the existence of My holy Being....to proclaim My Presence in the world. Most people rush past these proclamations without giving them a second thought...Even before you knew Me personally, you responded to My creation with wonder. This is a gift, and it carries responsibility with it. Declare My glorious Being to the world."

excerpt from
July 30 reading

from

Jesus Calling

by

Sarah Young

***

Linking up with

Friday Finds

Be Still 52

(Week 11)

Texture Tuesday

Adventures in Seeing