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Showing posts with label nostalgia. Show all posts
Showing posts with label nostalgia. Show all posts

Thursday, November 27, 2014

an american-italian thanksgiving



These things
say
'Thanksgiving'
to me:
Canon 6D + Tamron 24-70 lens
LR preset: kk_earthywgrain
PS textures: kk_waterfront1 and kk_waterfront21


as seen on Instagram
iPhone 6 captured with Camera+ app
edited with Leonardo and Stackables apps

family heirlooms
now in my keep:
ravioli rolling pin,
collander,
macaroni pot,
Italian embroidered linen tablecloth
and matching napkins
(a wedding gift for my folks in 1953)


***

This is what
Thanksgiving dinner
looked like
in our family:
homemade ravioli
with
homemade ricotta filling
and
the best ragu
you ever tasted.

We kids never had a traditional
Thanksgiving turkey dinner
until we were
grown
and living on our own.

For the record,
none of us
ever objected.

Also for the record,
we considered ourselves
Americans
of
Italian/Irish/Swedish
descent.

Greg, Cindy, Mom, Grandpa,
'Dudie,' Adrienne, Lissa
(Dad was behind the camera)
Thanksgiving 1966
at Dudie & Grandpa's house

Dudie wisely got out her best
plastic faux lace tablecloth
for us kids
(tomato sauce stains quite reliably)

Greg, Cindy, Adrienne, Lissa
making ravioli with Grandpa
in our kitchen
November 1969
See the rolling pin?

The tradition continued
- in a way -
when we kids
had kids,
only now it's



Linking up with

Happy Thanksgiving!



Sunday, July 27, 2014

baby spoon





a simple little still life
for our
Be Still 52
assignment
for Week 10:
playing with
lighting direction...
and spoons.



***

Notes:

Quickly assembled
Friday morning
before work:

The silver spoon and dish
were my mother's
as a baby.
(I know I should get out the silver polish
but the tarnished patina is so lovely!)
+
a wonderfully old, humble washcloth
from I don't know where
+
daisies from our garden
+
a very old children's book.

I played for over an hour
with various
ISOs, shutter speeds, apertures and angles.
I tried flash, but it diminished the shadows,
so I practiced holding the camera
v e r y steady.
I repeatedly repositioned the little table
with an eye for directional shadows.

Lillian helped with the setup...
...and then she just relaxed
and let the process
evolve on its own.
Feline 'insight' maybe?

CAMERA
Canon EOS 6D
Canon EF 50mm f/1.4 lens
Manual Mode

both photos:
ISO 1600
f/5.0
1/30 sec

LIGHTROOM
I 'painted' in some basic edits
to emphasize
dramatic light/shadow play;
applied two of Kim's presets:
sharpen still life
&
kk_summersun
then I kept playing around
in the Develop module:
I de-saturized the yellows and greens
and applied a faded split tone
(blue highlights + pink shadows)
to keep things cool.
Then I synced the edits
with the second photo
and fine-tuned things there too.

PHOTOSHOP
Just two layers of
kk_pinitonly4
Soft Light ~30%
Vivid Light 15%
masking off the spoon

***

Linking up with





Wednesday, June 4, 2014

a job worth doing




Etching brush and ladle
belonging to
Joe Toomey

I often heard this saying from my mother, who likely heard the same words from her father. I assumed that Grandpa Joe had coined the phrase himself, but eventually realized that it is an old proverb.

***
John Joseph Toomey, my "Grandpa Joe," was born August 7, 1894, in Mount Pleasant, Iowa, to Michael and Ann (Murphy) Toomey. Joe's father, a railroad worker, was "gone a lot," leaving his wife and two young sons to fend for themselves. Ann died when the boys were very young, so their aunt, Ellen (Murphy) Baker, raised them.

Joe's childhood was spent in the loving care of his Aunt 'Nell' and her family, where he learned the value of hard work and a good education. There on the Baker farm in Wisconsin he grew up, working alongside the hired hands, and attending the local one-room school.

After high school, Joe worked on the railroad while taking correspondence courses from the University of Wisconsin. He eventually saved enough money to attend classes at the university, working in a fraternity house kitchen and typing term papers to make ends meet. He never did graduate.

In his late twenties, Joe went to work for the Minneapolis Tribune, which was founded by his cousin, William J. Murphy. Eventually, he was sent to Los Angeles to learn the rotogravure process, including photoengraving and etching, so that he could set up such a department at the Tribune. Joe worked at the Tribune until 1940, when the newspaper was sold.


***

Notes:

SETUP
Backdrop: plywood scrap, painted white and roughed up
I actually 'skated' the plywood over gravel.
+
Shop rag from Home Depot (already a bit dirty!)
I didn't spend a lot of time setting up;
just figured I'd see what happened
and deal with it
in a Wabi Sabi fashion.

original photo
SOOC

LIGHTROOM
Lens Corrections:
fix distortion, perspective, and angle
Crop:
Rule of Thirds - sort of
ample empty space
Presets:
Kim's Light&Airy Workflow

after Lightroom edits
cropped and ready for
Photoshop edit

PHOTOSHOP
Cloning to fill in the right side
kk_rainyday Soft Light 35%
another layer of the same at 47%
+ a layer mask to bring back some clarity
kk_grungedup_2 Multiply 35%

Fonts:
Old Newspaper
Dear Joe
(I know...too easy)

***

Linking up with






Sunday, May 11, 2014

a mother's day album

So here's where my heart is
on this 
Mother's Day

***
Let me
illustrate with
some photos
from
the past

May 1960
Wheat Ridge, Colorado
Our family
with Mom
at the center
(I'm just 2 weeks old here)

Mom was 8 months pregnant
with me
+
three small children
in tow
when they moved in
this brand-new house
just a few weeks
before



June 1989
Toronto
My parents
came to visit
when Kelly (our first)
was born


 Grandma and Kelly

Grandma, me, and Grandpa
with Kelly


Not quite
two years later...

Grandpa and Grandma
came to Toronto to meet
our little 'Enna'
with Kelly (22 mo) and Erin (3 mo)


And now...

a few 'selfies'
from
Kelly's
Instagram
album
this year

 March 5

March 28

May 8


***

Making the decision
to have a child
is momentous.
It is to decide
forever
to have your heart
go walking around
outside
your body.

Elizabeth Stone



Happy Mother's Day
Mom!




and
to Kelly:

Welcome
to the
Club!







Tuesday, May 6, 2014

re: ephemera, wabi-sabi, still-life, and light



Start where you are.
Use what you have.






***

So
I started with
a scrap of
ephemera
from my Dad's
old stamp collection
'stash'


and dug up
this old chunk
of wood


and sifted
through
some
old potpourri


and
sorted
through
some
old buttons


and
in a
free-flowing
wabi-sabi
state of mind,
I
quickly
composed this
little
still life


it was if a story
was unfolding
as I assembled
the bits and pieces...

I've been to Wyoming
'though I don't know exactly where
Upton is.
Champa Street
is in
downtown Denver.



I searched for
some
early morning
light


and
the rest
is
history.


Or
rather
photography.


***
CAMERA SETTINGS:

Camera: Canon 6D (full frame)
Lens: Canon 28-135mm
Focal Length: 135mm
(Lens Image Stabilizer turned off for tripod use)
Mode: Manual
Auto Focus (center point focus) with Evaluative Metering
ISO 400, f/18, 1.3 sec
(I was going for 'tack sharp'
to emphasize the
assorted textures
and
light/shadow play)


***
PHOTO EDITING:

Lightroom:
lots of experimentation
with
cropping, snapshots
presets (mainly Kim's LightAiry Workflow)

then edited in

Photoshop CC:
just a bit of
layering
from Kim's Home Sweet Home Set
kk_hsh3 (Multiply 52%)
kk_hsh (Overlay 17%)


***

Linking up
with
(late as usual)












Friday, November 1, 2013

friday finds: albuquerque part 3

Today I am concluding my armchair journey to Albuquerque. It's still in keeping with historical, cultural, and architectural themes, but I am fast-forwarding a few hundred years to the late 1940's.

It's time to "get your kicks on Route 66" and here's a little music video to get you in a nostalgic mood:




I couldn't help but hear the fabulous velvety voice of Nat King Cole
on that hot sunny day five years ago
as I made my way along Central Avenue SW (the old Route 66).


Admittedly, this is a little before my time, but it puts me in mind of the many summer vacations
with my family, when I was a kid in the 60's and 70's. 



We stayed in more than a few motels like this -
many with a quaint name or homey atmosphere
to remember them by.



We ate in many an eatery back in the day.
Some of the old places have been restored and/or are still in business today.
I'm not so sure about "steak fingers" and eggs. Meh.



This old neon sign is wonderfully grungy.
I hope someone rescues this bit of Americana
but it's kinda big...where would you put it?



Do you suppose today's big SUVs would even fit in these carports?



Here's a place with some attractive features.
No WiFi though, and thanks, but I've got my cellphone.



Many sites are now obscured behind chain link fences,
I suppose to keep away vandals and vagrants.
Or nosey tourists with cameras.
I wonder who actually owns these run-down old properties
and what, if anything they plan to do with them.



I can still picture my mother doing a 'recon' before the whole family trouped into the place
(motel or restaurant).
She sure had an eye for a clean bed and bath, but sometimes
we had to settle for somewhat 'less than hygienic' accommodations
(aka a "flea bag")
especially out in the middle of nowhere.



If Mom saw tablecloths on the tables, then chances are it was safe to eat there.
She also checked out the menu, with taste and budget in mind
(Mom + Dad + four kids + two grandparents...that's a lot of tired, hungry people to feed).


***

I know there was probably a more efficient way to 'batch process' these photos, but I wasn't in the mood to spend the time to figure it out. So here's what I did:

In Lightroom 4  I cropped each photo, keeping the original size ratio, then treated them with the following presets:
  1. Dave Delnea's CyanSkies Look3
  2. His Backlight Vertical Left 
  3. His C+V Washed Vintage 001
  4. Lightroom's Rounded Corners White (in hindsight, I would have increased the width a bit; as you can see, only the corners show up)
Here's a screenshot of my Photoshop CS6 processing:



***

Linking up with